It’s fun to unleash Metroplex, Optimus’ personal, remote-controlled Rock ‘Em Sock ‘Em robot, and harnessing your inner Godzilla behind the screen-clearing Bruticus is an absolute blast. The other new characters possess their fair share of fan-pleasing moments, too. Grimlock, with his sword-and-shield-wielding form as well as his fire-spitting Jurassic state, is playable for a good 60-90 minutes of the campaign. Speaking of the gravelly voiced Dinobot, fans will be happy to know he makes far more than just a cameo. So rather than simply barreling through each level from behind any old bot with a big-ass gun, players find themselves relying on Cliffjumper’s cloaking ability to navigate a level built around stealth, bouncing around a virtual jungle gym with Jazz’s grappling hook, and unleashing all kinds of hell in arena-style areas as Grimlock. Where War allowed players to pick a character before entering each level, Fall sets them up with a specific Autobot or Decepticon at the start of every chapter this might sound limiting, but it’s allowed the developers to carefully craft each chapter around a specific hero’s abilities. The new focus on variety doesn’t just paint a prettier Cybertron, but also makes it a more interesting place to explore. Sure, the overall style is still defined by sparking scrap heaps and rusty metal, but unlike War’s same-y feeling levels, each of Fall’s chapters pack plenty of visual surprises. Over the course of the campaign’s 13 chapters, players are treated to sprawling, scarred battlefields, cloud-sitting cityscapes, creepy interior dwellings, ancient sand-choked ruins, and slime-covered subterranean settings.

While it takes place on the battling bots’ same war-ravaged home planet, its visuals feature far more detail and variety.

In terms of presentation, storytelling, and production values, Fall of Cybertron trumps its older brother across the board.

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